Rogan pdf download

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If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed. The number of times until the castor oil transformed in a method used traditionally for the preparation of rogan thick paste like gelatinous substance; after required was a tedious process.

Rogan took a long time at each boiling, white particles were visible during the successive step in order to have a desirable result.

The process on the surface of the oil which gradually process was handled by only skilled persons and begins to change into yellowish colour. At that stage carried out at a distant place away from the residential the colour of castor oil turns to yellow colour.

And the area, as it emits bad odour and affects the lungs. The craftsman checks the consistency with the help of preparation process of rogan paste include; the wooden rod; then it was removed from the chulah and craftsmen located suitable place where they could kept aside; and after this entire process, the rogan properly dig the mother earth for the preparation of paste was kept for hrs in the shade for proper chulah furnace which was the first step of this cooling to form the gelatinous thick paste.

The entire process; after digging the mother earth they gave a process of preparing rogan paste was similar in proper shape to chulah by keeping the chipiyas on it Ahmedabad, while the craftsmen of Viramgam and at the three sides.

Then, they cleaned the surrounding Wadhvan purchased the rogan paste from them and area neatly; they adjusted the handio aluminum carries out their work for rogan painting. The only container on the chulah in which the castor oil would difference was that instead of last process a water bath be boiled for hrs; then they take one litre castor oil in was prepared and castor oil was mixed and the handio for the preparation of pastes.

The process immediately the thick gelatinous paste of rogan was begins by boiling the castor oil in an aluminum pot on prepared Figs. In Ahmedabad, 15 litre of a furnace; after pouring the castor oil in the handio castor oil was used for the preparation of rogan paste they light the wood with the help of kerosene. This at a time. In consumes hours for the preparation was boiled for minimum 4 hrs depending upon the of paste. Colours placement of heated handio to reduce the inside heat; like white, red, blue, yellow, green and orange were the boiling process starts after about fifteen minutes used in pure form.

But today, they have switched over and the craftsmen properly monitored the temperature to synthetic dyes. It was observed that all the artisans by continuously stirring the castor oil inside the were using napthol dye for preparation of the paste.

The stirring process was continued; after The colours used were locally known as Pavadi some time the temperature of the oil increased thus, to yellow Lal red , Vadadi blue , Safad white , lower down the temperature it was removed from the Leelo green and Bhuro brown. They also used chulah and kept on a side for a while; in case the coloured pigments and binding agents.

The dyes were temperature in aluminum vessel increased more than available in market in different price range according required the excessive heat resulted into flame inside to the shades of dyes.

Thus, the temperature was regulated to avoid these flames; the boiling process emits bad odor Process of preparing of colour paste which affect the lungs of craftsmen at long run as Each and every stage of the process was as stated by the respondents. During boiling process the informed by the craftsmen.

The process of rogan castor oil starts catching fire, once the oil catches painting was very time consuming art and hazardous flame then immediately the handio oil container was to health as stated by the craftsmen of Nirona. They removed from the chulah and was covered with stated that for preparing rogan paste the craftsmen dhakani.

When oil container was uncovered the oil needed to be highly skilled Fig. For the comes in contact with the oxygen due to which preparation of colour paste, the main equipment used it catches fire; during the same time the castor oil was kharal, the manual stone grinder which helped in gets purified since through boiling process existing mixing the colour paste.

In both the places, the napthol dyes were used exactly from the centre. The painting was done only which was purchased from Ahmedabad or Bhuj. Prior on one side of the folded portion of the fabric. This to the preparation of the fresh paste the manual was then again folded from the centre pressed evenly grinding stone was cleaned thoroughly such that there to get an identical impression on the other half would be no residual traces of former paste.

This was portion; then after the fabric was opened to check for done in order to avoid the slightest stain of previous getting the mirror image of the design as a whole colour into the fresh paste.

After cleaning the kharal pattern which is kept to dry under the sunlight for the process of grinding the dye begins and by addition about hrs. The grinding Motifs process continues till a smooth paste is prepared. A Traditionally, the floral, geometrical and small quantum of gelatinous rogan paste was taken, calligraphy motifs were used for the art of rogan and added to the dye paste. The process of grinding painting Figs. The calligraphy motifs were the dye paste continues till the rogan is thoroughly not used by the craftsmen since they did not have any mixed with the dye paste such that a soft, smooth traditional calligraphy motifs.

During the ancient gelatinous paste was made. These motifs consuming craft Fig. The process of rogan were used as all over pattern i. Mainly two layouts were used for motif painting as stated by the craftsmen was as follows: placement i.